几乎由女性面孔构成整部电影，却时不时能感受到男性凝视，比如继父偷看女儿裙底、比如葬礼上一群男性幽灵般毫无表情的集体回眸凝视，这个镜头让我不安不适，但一时又难以措辞指控它到底对女性做了什么，这大概就很像女性生活在男性凝视中的日常感受吧，沉默无形的压力与张口后却失声的指控.
电影越往后越喜欢，去道德化的处理、女性世界中的相互包容，和解与慰藉，感受到了导演对女性的善意，真好.
「It's all just first pages and first sentences. There's no middle. There's no end. Characters keep switching their identities. I wish I could tell you there's life and death and plot twists. And three generations of richly drawn characters and hope, and courage. Regrets. But it's just one long, intoxicating masturbation session with no climax. When am I going to climax? 」「Life isn't very interesting if we're not a bit psychotic.」这是个由婚约展开的一段恋爱故事.
斋森美世出生于异能家族，却没有继承任何能力，被继母与同父异母的妹妹当作佣人般对待.
然而早该谈婚论嫁的她，婚约的对象竟是传说中冷酷无情、拥有同样异能的久堂家家主——久堂清霞.
这门婚事是通往黄泉的邀约？还是奇迹般的相遇呢？.
