I have said that Osmond was in good humour, and these remarks will give ample evidence of the fact.They were infinitely more personal than he usually cared to be, and if Caspar Goodwood had attended to them more closely he might have thought that the defence of delicacy was in rather odd hands. We may believe, however, that Osmond knew very well what he was about, and that if he chose to use the tone of patronage with a grossness not in his habits he had an excellent reason for the escapade. Goodwood had only a vague sense that he was laying it on somehow;he scarcely knew where the mixture was applied.Indeed he scarcely knew what Osmond was talking about; he wanted to be alone with Isabel, and that idea spoke louder to him than her husband's perfectly pitched voice. He watched her talking with other people and wondered when she would be at liberty and whether he might ask her to go into one of the other rooms. His humour was not, like Osmond's,of the best; there was an element of dull rage in his consciousness of things. Up to this time he had not disliked Osmond personally; he had only thought him very well-informed and obliging and more than he had supposed like the person whom Isabel Archer would naturally marry. His host had won in the open field a great advantage over him, and Goodwood had too strong a sense of fair play to have been moved to underrate him on that account. He had not tried positively to think well of him; this was a flight of sentimental benevolence of which, even in the days when he came nearest to reconciling himself to what had happened, Goodwood was quite incapable. He accepted him as rather a brilliant personage of the amateurish kind, afflicted with a redundancy of leisure which it amused him to work off in little refinements of conversation. But he only half trusted him; he could never make out why the deuce Osmond should lavish refinements of any sort upon him. It made him suspect that he found some private entertainment in it, and it ministered to a general impression that his triumphant rival had in his composition a streak of perversity.He knew indeed that Osmond could have no reason to wish him evil; he had nothing to fear from him.He had carried off a supreme advantage and could afford to be kind to a man who had lost everything. It was true that Goodwood had at times grimly wished he were dead and would have liked to kill him; but Osmond had no means of knowing this, for practice had made the younger man perfect in the art of appearing inaccessible to-day to any violent emotion.He cultivated this art in order to deceive himself, but it was others that he deceived first. He cultivated it,moreover, with very limited success; of which there could be no better proof than the deep, dumb irritation that reigned in his soul when he heard Osmond speak of his wife's feelings as if he were commissioned to answer for them.